Three billiard players receive incoming questions via radio transmission from three unseen children whenever a ball is struck. As the camera continuously rotates around the room in a seamless loop, each query concerning life aboard a Space Station circling the earth accumulates without resolution, following an orbital logic in which there is no clear beginning or end.

Actor Rebecca Lee Bower appears in multiple guises, adopting a different accent for each response—creating a disparity between her reliability as a witness to the cosmic sights she describes and the nineteenth-century gaming room she inhabits, performed as a blind figure, further complicating the relationship between perception, authenticity, and setting.

The dialogue is drawn verbatim from a 2011 live radio interview between vision-impaired Australian children and an American astronaut aboard the International Space Station. Reframed as a transmission interception, this exchange between interior and exterior spaces aimed to raise questions about distance, mediation, and what might be understood as ‘outer space’.