When you're in love with a beautiful woman

2009 | Video | colour | sound | 8' 22"

A presentation comprised of two videos from 2009 explore the shared territory of self-documented, amateurish performance as a typical characteristic of both *early video art and the celebrity-seeking / homage-based monologues and short-form re-enactments found on YouTube. In this instance the "live" one-take however is an illusion. The use of composites and the approach to lip-sync, along with a combination of unlikely visual and aural sources are processes more aligned with animation—a medium in which a collaborative process is more often the appropriate option to take over any solitary individual approach.

BUS Projects Screen Space
Curated by Kim BROCKETT
29.11.11 - 17.12.11

Project Notes

In Grey Highlights (for Christine) 3' 48", a New Zealand golden oldies radio station makes contact with the spirit of the car from the John Carpenter film, Christine (based on the Stephen King novel) via a séance.

Senora...Senora...Senora...‍ ‍3' 38" features a trio of floral-shirted men performing a chipmunk lip-sync to a song from the movie Flashdance.

*Early Video Art Notes

[1] "Most of the work from that time was done in real time, because editing was just too expensive, so one edited in the camera. I remember this great comment Bill Wegman made: "You can always tell videos from that period, because at the end of the tape, the artist gets up to shut off the camera."

- John BALDESSARI P.36 California Video: Artists and Histories
Edited by Glenn Phillips, The Getty Research Institute, Los Angeles 2008


[2] "Artists have always been solitary individual characters. Bruce Nauman began using video alone in his studio in 1968 on the West Coast. Les Levine began that year in New York. Keith Sonnier followed in 1969, and soon after William Wegman, Richard Serra, Vito Acconci, John Baldessari, Paul Kos, Joan Jonas, Peter Campus, and many others all began making highly personal, individual tapes, most commonly characterized by the presence of the solitary artist on the screen, often in his or her studio, performing some activity."

- Bill VIOLA P.128 Reasons for Knocking at an Empty House
MIT Press, Cambridge Massachusetts 1995