Face Radio

1997 | Pencil, ink, gouache, watercolour , paper | installation dimensions variable | AM + FM frequencies approx 16 metres

An enduring fantasy of a centrally located Radio Personality with an expansive view from a city building onto the surrounding broadcast location as he or she speaks. With the necessity of live airplay, radio talkback programming is of particular interest as any response is potentially part of the program content. After listening to certain voices, details on a Host or Personality were noted and images were made during their program time. The 24 hour clock can be divided up into the frequency and program according to the regularity in which I tuned in. The experience time listening to a Host/ Personality varied considerably from minutes to years. As an example, Tony Delroy (AM 774) who was in his early forties at this time had claimed to look like John Travolta on at least two occasions between 1994 and 1997. A regular Listener/Caller mentioned during a Quiz that he had received Tony’s photo in the mail along with some other ABC presenters. One mental image might be adjusted gradually over time and eventually superseded or in the case of the listener who requested a photo of Tony Delroy, obliterated in a single instant.

First shown at Talk Artists Initiative
Level 6, Nicholas Building, Melbourne

12 - 22 February 1998

Image:
Original etching (1997) sent to every Melbourne-based Radio Host depicted within the Project.



The project was later revisited in a residency format as Face Radio Live:

1.7.06 - 30.7.06 La Trobe University Visual Arts Centre, Bendigo. Curated by Carolyn Dew

7.11.07 - 8.2.08 18th Street Arts Center, Santa Monica USA, Australia Council Studio

Talk artist Initiative
Exhibition Text (1998)

September 1997. The last caller for the morning has supplied his first name and date of birth during the earlier music break. Is there something specific you want to discuss? she had asked. No, the call had been made on impulse and he is surprised to have gotten through. The cover version of Ringo Starr's 'It don't come easy' is in progress.

Keely: We're talking about astrology and stuff and we've got Kieran on the line. G'day Kieran, how's it going?

Kieran: Oh hi, I couldn’t decide on whether to talk about relationships or work, so just a general thing about my birthdate. I was born at seven in the morning if that's any help.

Rob: Hmm-hmmn.

Kieran: and ah... yeah, if there's any relief on the horizon for being a Virgo.

Keely: Oh you’re stuck with it! Haha ha!

Rob: You're a Virgo for life Kieran.

Kieran: yeah...

Rob: But you do have an aspect of Mars from the sign of Sagittarius. I've talked a bit about Sagittarius this morning-

Kieran: I can't stand Sagittarius!

Rob: Can't you?

Kieran: Yeah...

Rob: Yeah it gives a bit more colour to-ah well it gives a variety to Virgo-I guess they can actually-on the surface there is a conflict between the two signs because Virgo's more practical it likes to get lost in the details of stuff and focus on the practical side of life but the Sagittarius is more a visionary sign, it tends to think big it's more messy and less discriminating than Virgo, but it has a vision. A good example of someone who is-I think he's also-yeah he's a Virgo, no maybe the other way around, maybe he's Sagittarius with Mars in Virgo, but the same combination basically; Stephen Spielberg.

Kieran: ...oh right.

Rob: He's got this grand vision, he makes all these grand movies about out of space and these big, big theories and ideas and visions and stuff but the process-

Kieran: Not lately!

Rob: Not lately, as in what?

The caller does not like films about dinosaurs.

Rob: But anyway, as far as his art goes he combines a grand vision with a very, very detailed technical work required to do all those sort of computer generated images and that sort of-

Kieran: What do you think of a match with Scorpio-for pairings Rob?

Rob: Between Virgo and Scorpio? They are quite similar in a lot of ways, both quite thorough signs and they have a strong sense of loyalty and duty so's there's commitment between a Virgo and Scorpio but it depends on other stuff that's going on in the charts as well. I notice you've got Venus in Leo, which is a bit different from Scorpio, it means that in terms of fun and pleasure you need positive feedback, you like someone who will pay you plenty of attention. There's different sides of your chart and there's different sides of a Scorpio person's chart as well, so compatibility is a fairly complex thing. Virgo and Scorpio are fairly compatible signs yeah.

Kieran: Oh right.. yeah-I always thought Virgo and Sagittarius were totally incompatible.

Rob: Virgo and Sagittarius? We were talking before about your having both of those in your chart-

Kieran:-through personal history anyway-

Rob:-yeah they are-

Kieran:-ultimately incompatible.

Rob: No, no. The signs that are traditionally called incompatible-it means there's a tension between them. Now if you basically like the other person and trust them it adds spice to the relationship, it means you are going to have a bit of conflict but if you trust each other and care for each other and respect each other then the conflict can be enjoyable and exciting and stimulating. Too much incompatibility leads to too much tension and it just becomes too problematic. A bit of what you could call incompatibility is actually-can be-quite fun so I don't see it as a black and white thing.

Kieran: Alright thanks for that, bye.|


You've been listening to Triple R,102.7 FM Melbourne

Selected References

“This is Jack Killian, The Nighthawk on KJCM, 98.3 FM…
and good night, America—wherever you are.”


The closing sign-off from Midnight Caller (1988–91), delivered by Jack Killian (Gary Cole), an ex-cop turned late-night radio host in San Francisco.

"…The only thing you believe in is me. What are you if you don't have me? I'm not afraid, see? I come in every night, make my case, make my point, say what I believe in! I tell you what you are. I have to.  I have no choice. You frighten me. I come here every night, tear into you, I abuse you, I insult you, and you just keep  coming back for more. What's wrong with you?  Why do you keep calling? I don't wanna hear it anymore.  Stop talking! Go away! You're a bunch of yellow-bellied, spineless, bigoted, quivering, drunken, insomniatic, paranoid, disgusting, perverted, voyeuristic, little obscene phone callers..."

Excerpt from Barry Champlain’s final soliloquy in Talk Radio (1988), directed by Oliver Stone and adapted from the stage play.

It’s radio… people hear what they want to hear.”

Ed Ruscha as the radio station manager in Alan Rudolph’s film Choose Me (1984)

How can I help you Ladies? Well I’m compiling a tape and encyclopedia of American speech and there’s a DJ who broadcast here by the name of night owl and she has what we call the perfect medium voice and we’d like to talk to her. Listen I’ll tell you what I tell everyone else. There is no night owl employed by this station or any of our affiliate stations. We’ve been to the FCC and they can’t figure it out either. She’s probably got some Pirate radio transmitter hooked up offshore somewhere. Everybody’s got a theory.

Night Owl (1993), directed by Matthew Patrick.

He brings his head up, stares directly at her face. It's hard to say that she's just what he's imagined, since he's imagined a wide variety of possibilities. But she is beautiful. That part of the projection isn't compromised at all. Her hair is shorter than he'd expected, darker. She's a bit smallerboned than her voice indicates, but not delicate. Her eyes are deep blue—he'd pictured them brown or green. Her skin is as pale as he'd thought. He's always imagined her inside, artificially lit, and though he's never thought about this before, he knows now, in this instant, this is because he often hears the voice late at night, at home, enclosed himself, wrapped up under a blanket in the dentist's chair.

Excerpt from Wireless (1993) by Jack O'Connell.